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I then create separate printing plates for each colour, using the trusted Ternes Burton pins and tabs to register each one. Another method I use is to transfer my design by printing it using Perspex onto another piece of vinyl. I enjoy this as it combines my love of printing as well as painting. The ink that I use is oil-based so it allows me to hand-colour after the ink has dried using a water-based medium. and Etsy provide online marketplaces for individuals to sell products and. Now you can bring our bohemian sensibility home with you. We've collaborated with the finest makers to curate the best of everything. Sometimes I feel that a design works best just in simple black and white but at other times I feel that some colour is needed and I have various ways of achieving this. a forum for consumers to meet and share their experiences (Fekete 2015). The Maker is more than a destination, it's an artistic expression. I then trace the design onto vinyl which I then carve. The iPad is useful for loading up my photographs and layering them to create a new composition. I then work out a design on paper or using an iPad. I always carry a small sketchbook and a camera with me wherever I go and am constantly on the lookout for interesting images and ideas. I have various ways of working and I often combine different methods. I took the plunge, invested in a press and this was the real start of my printmaking journey. Then, I attended a Linocut workshop in York where I was introduced to the Hawthorn etching presses which are made locally. Hey Yeti, which is best known for BIG cards, illustrations and prints which are. Following this, when I left college, I did not have access to the same resources and so I stopped printmaking for a while. This weeks featured maker is doodle artist Diane Chester from Hey Yeti. It was here that I was introduced to printmaking using all of the facilities that a print studio had to offer and I was hooked. It was aimed at people who were working and you had to be pretty dedicated to finish it. I was working full-time as a teacher and so the part-time course took six years to complete as tutorials were held in the evening and other study units were fitted into school holidays. Then I completed a degree in Fine Art at Leeds College of Art. It is a very accessible form of printing and I was able to achieve satisfactory results just by working at the kitchen table. I taught myself to relief-print as all I needed was a material such as Lino, a few tools, paper and ink.
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Printmaking allows for more stylistic freedom and to a degree, you are out of control of some of the process which is very exciting. I used to mainly draw and paint but I have a tendency to become obsessed with fine detail. I have been printmaking on and off for at least twenty years.
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How and where did you learn to print? How long have you been printmaking?